Brazilian Journalism Is Pretty Bad, But Not for Those Reasons
I've often decried the quality of Brazilian journalism, so I found this editorial fascinating. The author, Jorge Fernando dos Santos, is horrified by the decline of Brazilian newspapers, as the title ("Brazilian Newspapers Are Dying an Inglorious Death") makes clear. He writes:
I think this is pretty spot-on. At least with my experiences in Rio, nearly every newsstand is littered with these sensationalist tabloids that emphasize violence, sex, and celebrity (and I don't mean that in a codger-y way - many actually put barely-clothed women on the front page of the "newspaper" to draw your attention). If you actually look for a newspaper (again, at least in Rio), your option is usually O Globo, which, as I've commented before, is far from the standard-bearer of journalism that one would generally want. Finding something like the much-better Folha de São Paulo in Rio is not so easy (though no doubt, it's probably simple to find it in São Paulo). Two growing trends in the media market have become apparent. On one hand, there is the increased number of tabloids destined to the less favored sectors of the population. On the other, magazines directed to those with greater buying power
treat pseudo-celebrities as news.
The first trend has the merit of attracting new readers who were not used to reading newspapers, but has the flaw of sensationalism and shallow news analysis. These tabloids are big sellers.
Nevertheless, they violate the national language with blatant mistakes and underestimate the mental capacity of its readers. The second trend magazines usually have good graphic quality, but stumble by adulating the rich who are not always newsworthy.
The popular magazines are about as bad. You go to any medical office, dentist, etc., and you're bombarded with magazines that highlight, literally from cover-to-cover, what various celebrities are doing, where they're being seen, with whom they're being seen, etc. I do not exaggerate when I say these popular magazines (which many people even subscribe to in their mail) make People look like a literary review.
And those magazines that are interesting and engaged, offering critical analysis of the news or valuable literary and cultural commentary and production, such as Carta Capital or Piauí, respectively, are usually priced too high for anybody outside of the upper-middle class to spend money on them.
So print-journalism in Brazil is in a sorry state of affairs, no question, and it has been for a long time (at least since the dictatorship, when O Globo owner Roberto Marinho hopped in bed with the military in order to eliminate his opposition via censorship and repression).However, dos Santos blames two peculiar and specific culprits for this decline: the federal government, and the internet. According to dos Santos,
The end of the diploma requirement to be a professional journalist in Brazil is yet another chapter in the bitter story of Brazilian printing press' decadence. Days before the fateful decision by the Brazilian Supreme Court (STF), the Press Law had been dismantled, an act which left the sector legally vulnerable.
It should be noted that in almost every country there are legal mechanisms which regulate mass media. Here, it seems barbarity rules.
As for the internet, he blames its rapid pace for the fact that "daily newspapers got carried away by the speed of information, as if the radio had not been invented long before these new media. Cover page editors insist on publishing obvious and repetitive headlines which do not add to the facts." While I completely agree that the headlines are "repetitive" and lack facts, that isn't really the internet's fault - having looked at newspapers from the 80s and 90s (and earlier), it's been like that for a long time, honestly since at least O Globo's ascendance (though I'm not sure O Globo is to blame; it may be, but it may not, and it would be a worthwhile subject for a journalism or history dissertation unto itself).
At the end, I agree with dos Santos's specific complaints about Brazilian journalism. It is sensationalist; it is simplistic; it is celebrity-focused; it does lack critical analysis; it is focused on profits. However, the reasons are much more complicated and deeply rooted than dos Santos allows for in his blaming of the government and the internet. Even when he does say that journalism has taken steps itself to dumb itself down (particularly over the "profit" issue), he neglects other major factors, including (but not limited to) more than 10 years of censorship during the military dictatorship, which forced newspapers to reduce the complexity of reporting and analysis. Thus, while dos Santos's complaints are fully legitimate, I think he's more than a bit simplistic in diagnosing why Brazilian print media has arrived to the point it is at today.
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